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The UK government's 2025 Creative Industries Sector Plan puts £380 million behind film, music, games and regional clusters. Here is what the published documents say it funds, and what they leave open.
Filters can smooth skin, deepen a tan or alter a lip. This article explains how the UK Advertising Standards Authority treats filters and retouching in cosmetics advertising, and what that means for creators and brands.
A creator who earns from brand deals, ads or products in the UK must decide how to operate. This guide sets out what GOV.UK says about sole traders and limited companies, with a worked example.
Bought followers and invented reviews can make an influencer look more valuable than they are. Here is what the US FTC rule and the UK's consumer law say about them, and where the two differ.
Ofcom describes media literacy as work to improve people's online skills, knowledge and understanding. A plain guide to what that covers, what the regulator says it does about it and how it connects to creators, ads and AI.
Kevin Kelly's essay argues that a creator may need only a thousand devoted fans to make a living. Here is what the essay actually says, how its arithmetic works, and where its own text and the wider picture set limits.
How to ask an organisation for a copy of your data, to delete it or to stop using it for marketing: the UK Information Commissioner's public guidance on access, erasure and objection, in plain English.
When must a creator say that content was made or altered with AI? A plain guide to YouTube's disclosure rules and Meta's "AI info" labels: what triggers a label, what does not and what can happen if creators stay silent.
